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Layer styles are inexorably linked to layers and layer content. If the layer contains only transparent pixels, you can apply a style, but it becomes visible only after the layer is painted on, or filled with a color. There are two exceptions to be aware of: You cannot apply a layer style to an adjustment layer or layer groups. Although a style is applied to a layer, technically speaking it is applied only when you flatten a document or output it in a file format that does not support layers and styles. Until such time, the style affects only the appearance, not the pixels in the layer. This means that you can change the effects settings as many times as you like without fear of damaging the content. The only caveats are that you cannot blend layer styles or apply filters (see Converting Styles into Layers, later in the chapter). When it comes to actually applying a style to a layer, probably the easiest and quickest method is to have the Style palette open, select a layer, or layers, and then click a style thumbnail in the palette. You can also drag a style thumbnail to the layer or drop it in the document window; in which case the style is applied to the active layer. However, if more than one layer is selected, it is applied only to the topmost layer in the selection. You can also apply a style when you use the pen and shape tools in Fill mode. To do so, after selecting a tool, click the Shape Layers icon in the options bar and then click the Style icon to call up the Style pop-up palette and select a style (Figure 7-2).

1. In Layout mode, switch to the layout that contains the field to which you want to add borders. 2. Click to select the appropriate field. If there are additional fields to which you d like to apply the same border options, you can Shift+click or drag a selection rectangle around them. 3. Choose Format Field/Control Borders (Option+ +B/Ctrl+Alt+B). The Field Borders dialog appears, as shown in Figure 6-40.

When you script the creation of a window, the New Window Options dialog, shown in Figure 13.12, provides the option to specify the size (height and width in pixels) and location coordinates (distance from top and left of the main monitor in pixels).

proach toward both his father and brother (defensive functioning by Gregory). Figure 7.4 illustrates this family s second attempt at the exercise. This came about because the younger son made the brusque comment that if he had been the leader the results would have been better. Consequently, the father unexpectedly decided to give his son his wish, and the children thus became the leaders. The left side of Figure 7.4 illustrates the younger son s nal image (leader on top) and his mother s rendering below. To the right is Gregory s lead drawing (top) with his father s located beneath. Beyond the placement of the paper (which was perfect in both cases), the younger son did not produce an improved response, as he once again became frustrated and suddenly discarded the project while attempting to describe the vertical and horizontal lines. Equally, the father s aggravation became increasingly apparent as Gregory was describing the diamond shape that connected to the outer lines. Unaccustomed to following another s direction, his situation worsened by confusion and a lack of understanding, the father reacted by abandoning the effort through a palpable lack of emotional response. In this brief case example, the technique of art therapy allowed each family member to divulge his or her underlying con icts from a here-andnow perspective as the artwork provided a template for the transference re-

$loadedFile = file_get_contents($file); print fileContents= . $loadedFile;

c. Delete the diagonal line. Offset the first circle to match the concentric round edges, as shown in the image (Fig. 7-23).

Figure 13-17: Three types of axis titles can be added to a PivotChart to label Category Axis items, Legend Series items, and summarized data in the Values area.

names = Home,Our Products,Our Services targets = _root,_root,_root labels = main,products,services

Proportion of all orders that are on weekends; Proportion of all dollars spent on weekends; and, Proportion of all units on weekends.

Figure 12-12: Inner Bevel effects are all contained within the original vector of the object, whereas Outer Bevel effects create edges outside the original vector. The side views, shown in the middle row, make telling the types of effects apart easier.

5. Run the application, and click the RadioButton controls to switch between view states. You should see that the two controls appear and disappear as you click the RadioButton controls to switch view states.